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The Doobie Brothers - Livin' On The Fault Line album flac

The Doobie Brothers - Livin' On The Fault Line album flac Performer: The Doobie Brothers
Title: Livin' On The Fault Line
Style: Pop Rock, Classic Rock
Released: 1977
Country: US
MP3 album: 1259 mb
FLAC album: 1798 mb
Rating: 4.9
Other formats: DTS ADX DMF VOC MP1 ASF TTA
Genre: Rock

Songs in album The Doobie Brothers - Livin' On The Fault Line (1977). 1. You're Made That Way.

If you like Michael McDonald, this is the Doobie album for you. Reply Notify me 1 Helpful. Marketplace 0 159 For Sale from €. 8.

04:13 320 Кб/с 141. Nobody. Pursuit On 53Rd St. The Doobie Brothers. 02:36 320 Кб/с 630. Dependin' On You. 03:48 320 Кб/с 630. Mamaloi. 02:31 320 Кб/с 820. Spirit. Loving On The Fault Line.

Underneath us all There's a world that we always forget 'til it moves us Where the moon on the bay dances all alone Ramone, he draw the razor swift, it slice the air No more lovely dreams of those summer nights Down in Santo Domingo They laugh and play in the sleepy harbor town So unaware of the danger that's around. Livin' on the fault line Livin' on the fault line Livin' on the fault line Livin' on the fault line

Released in August of 1977, "Livin' On The Fault Line" is the second Doobie Brothers album with Michael McDonald in the band, and like its predecessor "Takin' It To The Streets", it finds the group, from a creative standpoint, sounding rather spent.

Modifier l'album Reporter une erreur. Rock The Doobie Brothers. Liste des groupes Rock The Doobie Brothers Livin' on the Fault Line. ajouter les paroles de l'album. 4. You Belong to Me. 03:07. 5. Livin' on the Fault Line. 6. Nothin' But a Heartache.

The album had no hit singles, and one-time leader Tom Johnston kept a markedly low profile (this would be his last record with the group, not including a later reunion). Despite this, Livin' on the Fault Line contains some of the most challenging and well-developed music of the band's career, with Patrick Simmons and Michael McDonald really stepping to the fore. There's a vague mood of melancholia running through the songs, as well as a definite jazz influence

Tracklist Hide Credits

A1 You're Made That Way
Backing Vocals – Maureen McDonald
3:30
A2 Echoes Of Love
Written-By – Earl Randle, Willie Mitchell
2:57
A3 Little Darling (I Need You)
Backing Vocals – Rosemary ButlerWritten-By – Brian Holland, Lamont Dozier, Edward Holland, Jr.*
3:24
A4 You Belong To Me
Backing Vocals – Rosemary ButlerWritten-By – Carly Simon
3:04
A5 Livin' On The Fault Line
Vibraphone – Victor Feldman
4:42
B1 Nothin' But A Heartache 3:05
B2 Chinatown 4:55
B3 There's A Light
Backing Vocals – Rosemary ButlerHarmonica – Norton Buffalo
4:12
B4 Need A Lady
Sitar – Dan Armstrong
3:21
B5 Larry The Logger Two-Step 1:16

Companies, etc.

  • Recorded At – Sunset Sound Recorders
  • Mixed At – Sunset Sound Recorders
  • Recorded At – Western Recorders
  • Recorded At – Warner Bros. Recording Studios
  • Pressed By – Capitol Records Pressing Plant, Jacksonville

Credits

  • Arranged By [Strings], Arranged By [Horns] – David Paich
  • Bass, Vocals – Tiran Porter
  • Congas, Vocals – Bobby LaKind
  • Drums – John Hartman
  • Drums, Vocals – Keith Knudsen
  • Engineer – Donn Landee
  • Engineer [2nd] – Kent Nebergall
  • Guitar – Jeff Baxter
  • Guitar, Vocals – Pat Simmons*, Tom Johnston
  • Keyboards, Vocals – Michael McDonald
  • Photography By [Cover] – Bruce Steinberg
  • Photography By [Innersleeve] – Michael Zagaris
  • Producer – Ted Templeman
  • Written-By – Jeff Baxter (tracks: A1), Keith Knudsen (tracks: A1), Michael McDonald (tracks: A1, A4, B1, B3), Patrick Simmons (tracks: A2, A5, B2, B5), Tiran Porter (tracks: B4)

Notes

Recorded and mixed at Sunset Sound Recorders (Hollywood).
Additional recording at Western Recorders (Hollywood) and Warner Bros. Recording Studios (North Hollywood)

Barcode and Other Identifiers

  • Matrix / Runout (Side A, Runout Etched): BSK BS-1-3045 JW-1 #4
  • Matrix / Runout (Side B, Runout Etched): BSK BS-2-3045 JW-1 #1
  • Matrix / Runout (Side A Variant 2 Etched): BSK-1-3045 JW-3 #3 BS Scratched Out
  • Matrix / Runout (Side B Variant 2 Etched): BSK-2 -3045 JW-3 #3 BSK Scratched Out
  • Matrix / Runout (Side I - Variant 3 Etched (0 stamped)): BSK ('BS' scratched out)-1-3045 JW-3 #1 0
  • Matrix / Runout (Side II - Variant 3 Etched (0 stamped)): BSK ('SA' scratched out)-2 -3045 JW-2 #1 0
  • Matrix / Runout (A Side Etch (0 stamped) [Variant 4]): BSK-1-3045 JW-3 #1 BS Scratched Out
  • Matrix / Runout (B Side Etch (0 stamped) [Variant 4]): BSK-2 -3045 JW-3 #2 BSK Scratched Out

Other versions

Category Artist Title (Format) Label Category Country Year
BSK 3045 The Doobie Brothers Livin' On The Fault Line ‎(LP, Album, Win) Warner Bros. Records BSK 3045 US 1977
927 315-2 The Doobie Brothers Livin' On The Fault Line ‎(CD, Album) Warner Bros. Records 927 315-2 Europe 1990
BSK 3045 The Doobie Brothers Livin' On The Fault Line ‎(LP, Album, Los) Warner Bros. Records BSK 3045 US 1977
WPCR-13659 The Doobie Brothers Livin' On The Fault Line ‎(CD, Album, RE, RM, SHM) Warner Bros. Records WPCR-13659 Japan 2009
M5-3045 The Doobie Brothers Livin' On The Fault Line ‎(Cass, Album, Yel) Warner Bros. Records M5-3045 Canada 1977


Comments: (2)
Kalrajas
Michael McDonald’s joke on the world …Livin’ On The Fault Line is quite a prophetic album title for this very musically corporate album, the second release from the second incarnation of the Doobie Brothers and the last that would ever find its way into my collection. Matter of fact, I held it in my hands just yesterday and looking at the slickness of the album jacket, I couldn’t remember even a single song from this release.Founding member Tom Johnston had left the band early on during these sessions, meaning the Doobie’s writing style did manage to fall off the fault line, where Michael McDonald again thought that he needed to feature his vocal skills over anything else, with yet another Holland, Dozier and Holland Motown classic originally sung by Marvin Gaye, this time laying out “Little Darling,” that while good, came as no surprise, signaling a palpable sea-change for the band, a jazzed tinged themed album of mellowness laced with R&B influences.Others will imply that this album which spawned no hit singles is the most well developed and considered Doobie Brothers album of all time, though what should one expect with Baxter and McDonald, both late of Steely Dan stepping in at the helm to guide the process. Even so, there’s a haunting sense of sadness, perhaps melancholy drifting around the edges of this record that seemed to have no defining moments or direction. Gone is the guitar oriented rock of previous releases, in was Michael McDonald as some sort of Miami Vice sex symbol, with the new sophisticated sound was entirely radio friendly. And the worst part, McDonald played this record for a friend who’s judgment he trusted, who said, “All the tunes have merit, though I don’t know if they hang together as a record,” then McDonald continues by saying that his friend finished with the line “This is a piece of shit, Michael!” Where I’m sure they both did a couple lines of coke, laughed and released this lackluster adult contemporary manifestation on the world anyway, prompting me to note that by 1977, there seemed to be no credibility left in the music world, where even music rags would find ways to imply that the record might not be so good, all while praising it at the same time, where they might have well simply said nothing. Of course McDonald has conceded this point saying, “Fault Line was a classic case of ... it was me, not them. Over the years I’ve learned that I get a certain thing in my head, and it becomes my worst enemy at that point.” Well, the point is, if you’re listening, Mr. McDonald, you hoisted this joke on the world knowing it was bad, you toured behind the album knowing it was bad, you accepted praise from DJ’s knowing the record was bad, just tell me I’m right, the record business is a business, where there’s no room for credibility.So, as to the album’s title Livin’ On The Fault Line, earthquakes don’t just happen, instead they are caused by things beyond our sight, things going on well below the surface. Seems the band knew the album was a shattering mistake when they named it.*** The Fun Facts: Oddly enough, this was the second album to feature or imply an earthquake by the Doobies, The Captain & Me also feature a California over pass brought down by an earthquake.The building featured on the cover was inspired by the original movie Planet Of The Apes and replacing the Statue of Liberty, is known as the Transamerica Pyramid, located at 600 Montgomery Street in the Financial District of San Francisco, California, and while it is an earthquake-proof building, that won’t prevent it from sinking into the ocean.
Vojar
If you like Michael McDonald, this is the Doobie album for you.