The Band - Moondog Matinee album flac

Moondog Matinee is the fifth studio album by Canadian/American rock group the Band, released in 1973. It consists entirely of cover material reflecting the group's love of R&B and blues music, with one exception in their interpretation of the theme from the film The Third Man. In a 2002 interview, Levon Helm described the reasoning for recording an album of covers: "That was all we could do at the time. We couldn't get along-we all knew that fairness was a bunch of shit.

Question: Moondog Matinee a seminal album or The Band rediscovering themselves? Answer: Probably a bit of both. While individuals may choose to go into Psycho Therapy when there are issues nagging at their heels, The Band decided to release a great and good time album of covers, to not only reacquaint themselves with each other. but in the spirit of great introspection, took a serious look at the music that was at the core of their being. Here, on the sixth release by The Band, they deliver ten of the most simple, unpretentious [though on the CD you are going to find several numbers that.

Moondog Matinee recalls The Band's early-‘60s origins as The Hawks, a Toronto club act grinding out the era's R&B and rock hits. But while this album invokes the innocent spirit of a bygone age, it also reflects The Band as a mature group of players with distinctive musical ideas. A warm and friendly mood pervades these tracks, heard in Garth Hudson’s carnival-like organ work on Third Man Theme and Rick Danko’s sweetly yearning vocals on A Change Is Gonna Come.

Album Name Moondog Matinee. Music StyleCountry Rock. Members owning this album0. 1. Ain't Got No Home. 5. The Third Man Theme. 6. The Promised Land.

A Change Is Gonna Come. Bonus track included on 2001 reissue: Didn't It Rain (outtake). Crying Heart Blues (outtake). What Am I Living For (outtake). Going Back to Memphis (outtake). Endless Highway (outtake).

Moondog Matinee was the 6th Band album under their 10-year/10-album recording contract. Slotting between the extraordinary New Years Eve NYC live Rock of Ages (5th) recording (featuring the extraordinary horn arrangements of Alan Toussant), and Northern Lights, Southern Cross (7th), Moondog Matinee was named after what they called the afternoon weekend matinee concerts on days when they did a 3pm matinee and then the evening show - from back in the days that. For a Band that made a name on such fantastic original material, a cover album isn't entirely disappointing. Moondog Matinee" nonetheless is an essential piece of The Band's catalog, and also serves as a time capsule and document of their musical history, as seen by the group themselves.

Moondog Matinee, the Band’s own Self-Portrait, is, at the least, an ingratiating result. Like most oldies albums, part of the pleasure here lies in seeing what inspirations the Band felt should be resurrected from their early roadhouse beginnings. In the main they’ve drawn well, choosing rhythm and blues styles that run the gamut from Clarence Frogman Henry to the Platters, all refined into the wood-smoked ambience that covers the ex-Hawks like a friendly shoe. They take each selection straight, casual and almost off the cuff. This is not helped by the Band’s gift for understatement, which, though it enhances the group’s own material, maneuvers at cross purposes with the drift of the album. A Change Is Gonna Come, the unbearably lovely Sam Cooke tune, loses much of its emotive power as a result, while Third Man Theme becomes merely a pretty pastiche of Felliniesque muzak.

The Band essentially went back to being the Hawks of the late '50s and early '60s on this album of cover tunes. They demonstrated considerable expertise on their versions of rock & roll and R&B standards like Clarence "Frogman" Henry's "Ain't Got No Home," Chuck Berry's "The Promised Land," and Fats Domino's "I'm Ready," but of course that didn't do much to satisfy the audience they had established with their original material and that, two years after the disappointing