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Hugh Masekela - The Chisa Years 1965-1975 (Rare And Unreleased) album flac

Hugh Masekela - The Chisa Years 1965-1975 (Rare And Unreleased) album flac Performer: Hugh Masekela
Title: The Chisa Years 1965-1975 (Rare And Unreleased)
Style: Jazz-Funk
Released: 2006
Country: UK
MP3 album: 1141 mb
FLAC album: 1972 mb
Rating: 4.9
Other formats: MMF MP3 WMA MP1 MP2 AU ADX
Genre: Jazz / Funk and Soul / Folk and Country

The Chisa Years: 1965–1975 (Rare and Unreleased) is a compilation album by South African jazz trumpeter Hugh Masekela. The album consists of 14 rare or forgotten tracks recorded by Stewart Levine and Hugh Masekela from 1965 to 1975 when they ran their own Chisa Records label. Its appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear

Complete your Hugh Masekela collection. Oddly enough, this was another Masekela track that did not see the light of day until a 2006 compilation that opened the Chisa records vault. This funky blues takes as its model the Afrobeat music Fela was then bringing to life in Lagos, and its conceit of a traveling unified sound (the lyrics name-check numerous western and southern African countries) from the Nigerian bandleader's notions on Pan-Africanism, all delivered with swirling guitars and a brass drive a steady groove.

Album · 2006 · 14 Songs. Hugh Masekela & Ojah. Hugh Masekela & Letta Mbulu.

More Hugh Masekela albums.

LP (12" album, 33 rpm), Import. Hugh Masekela Format: Vinyl. Not only is a lot of the original music itself hard to come by but this is a collection of Chisa label rarities and unreleased material. Now being what seems like a various artist compilation this album isn't as much that as it is different songs featuring a collective lineup of singers and musicians such as Hugh himself,O. CHISA was Hugh Masekela's label, both creatively and as a business venture. In partnership with producer Stewart Levine, the label made its name by releasing more than a dozen albums of Masekela's own work and another dozen or so records from The Jazz Crusaders.

Hugh Masekela and Stewart Levine met in 1961 at the Manhattan School of Music. They became friends, roommates, and collaborators. They began experimenting with putting together groups of African singers, studio musicians, and a fusion of South African township jive and urban gospel. The two started the CHISA label together in 1966 just before the pair scored big with Masekela's smash, "Grazin' in the Grass. After the success of that track, they put more money into their label, and scored a distribution deal with Motown

A new version of Last.

01 Ojah With Hugh Masekela – Afro Beat Blues Featuring – Hugh Masekela Trumpet – Hugh Masekela 02 Letta Mbulu – Mahlalela Featuring – Hugh Masekela Trumpet – Hugh Masekela 03 Baranta – Amo Sakesa Featuring – Miatta Fahinbulleh 04 Zulus, The – Joala 05 Letta Mbulu – U Se Mcani Featuring – Hugh Masekela Trumpet – Hugh Masekela 06 Baranta – Tepo Featuring – Miatta Fahinbulleh 07 Zulus, The – Za Labalaba. 08 Baranta – Witch Doctor Featuring – Miatta Fahinbulleh 09 Letta Mbulu – Melodi (Sounds Of Home) Featuring – Hugh Masekela Trumpet.

Tracklist

Ojah With Hugh Masekela Afro Beat Blues
Letta Mbulu Mahlalela
Baranta Amo Sakesa
The Zulus Joala
Letta Mbulu U Se Mcani
Baranta Tepo
The Zulus Za Labalaba
Baranta Witch Doctor
Letta Mbulu Melodi (Sounds Of Home)
Baranta Ahvuomo
The Zulus Aredze
Baranta A Cheeka Laka Laka
Johannesburg Street Band* Awe Mfana
Letta Mbulu Macongo

Versions

Category Artist Title (Format) Label Category Country Year
BBECD069 Hugh Masekela The Chisa Years 1965-1975 (Rare And Unreleased) ‎(CD, Comp) BBE BBECD069 UK 2006
BBE LP 069 Hugh Masekela The Chisa Years 1965-1976 (Rare And Unreleased) ‎(2xLP, Comp) BBE BBE LP 069 UK 2006
BBECD/LP069 Hugh Masekela The Chisa Years 1965-1976 (Rare And Unreleased) ‎(CD, Comp, Promo) BBE BBECD/LP069 UK 2006
BBE069 Hugh Masekela The Chisa Years 1965–1975 (Rare And Unreleased) ‎(CD, Comp) BBE BBE069 US 2006
BBELP069 Hugh Masekela The Chisa Years 1965-1976 (Rare And Unreleased) ‎(2xLP, Comp, RE, RP) BBE BBELP069 UK 2018


Comments: (1)
Dianalmeena
In consideration of the song "Afro Beat Blues" ...If it was Bruce Springsteen’s intention to have listeners ‘blinded by the light’, then Hugh Masekela blinds us with his pioneering fusion of soul R&B and jazz, an artist who first came to the attention of the world with his funky breezy cocktail of an instrumental hit “Grazing In The Grass” in 1968, took center stage at the legendary Monterey Pop Festival, and was memorialized in the song “Monterey” by Eric Burton.Described as the godfather of South African jazz, and well know for his work against apartheid, it was fitting that he rose to fame during the Summer of Love, where he infected the world with his stylish sound, a sound backed with lively drums, filled with rhymes and dark horn arrangements. His work was not of the soloing nature, preferring to lose himself as a member of a handpicked ensemble, where all of the players envisioned themselves as a unit. Embracing that concept, it was easy for the man to slid in seamlessly, playing with groups such as The Byrds on “So You Want To Be A Rock n’ Roll Star” and “Lady Friend,” along with outings by Paul Simon and others. On his ensemble work, his trumpet was known to sound smooth but angry, defiant at times, yet laced with a soulful funkiness that was not in your face or grabbing at your being.For me, the memory of hearing him lay out the track “Afro Beat Blues” has been indelibly etched into the core of my being, a song that was much looser and more gritty than his early material, the fist step in Masekela’s musical evolvement, where he effortlessly fuses various genres into a single number, creating a highly evolved accessible sound … not to mention, one that is very danceable. Oddly enough, this was another Masekela track that did not see the light of day until a 2006 compilation that opened the Chisa records vault. This funky blues takes as its model the Afrobeat music Fela was then bringing to life in Lagos, and its conceit of a traveling unified sound (the lyrics name-check numerous western and southern African countries) from the Nigerian bandleader's notions on Pan-Africanism, all delivered with swirling guitars and a brass drive a steady groove.There is not a track on this assemblage that’s as strong as Afro Beat Blues, though you might just enjoy all you find here as much as I have. Nevertheless, this single track should not be lost to anyone, as it comes across as timeless today as it did that warm summer so long ago.Review by Jenell Kesler