Small Faces - Magic Moments album flac

Small Faces is the eponymous second studio album by the Small Faces, released in 1967. The album was their first for Immediate Records after leaving Decca. It peaked at number 12 in the UK Album Chart. The band's debut album, released on Decca in 1966, is also entitled Small Faces.

Small Faces is the debut album of the Small Faces, released in May 1966 by Decca Records. It includes the hit singles "Whatcha Gonna Do About It" and "Sha-La-La-La-Lee". The album was well received by music critics and was popular with the public, rising to number 3 on the UK album chart remaining at the top for several weeks. The album was recorded at IBC Studios, Portland Place, London between June 1965 and February 1966. Glyn Johns was the studio engineer

The Small Faces was a British rock group from the 1960s. Together with The Who they played a significant role in the Modbeweging. The members were Steve Marriott,Ronnie Lane, Kenney Jones and Jimmy Winston. composition 2. 3 discography. Their debut single, "Whatcha Gonna Do About It", written by Ian Samwell, was released in 1965, and was a minor hit in its own country.

Small Faces were an English rock band from East London. The group was founded in 1965 by members Steve Marriott, Ronnie Lane, Kenney Jones, and Jimmy Winston, although by 1966 Winston was replaced by Ian McLagan as the band's keyboardist. The band is remembered as one of the most acclaimed and influential mod groups of the 1960s with memorable hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing", and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake.

Label Category Country Year. L 36002 Small Faces Magic Moments (LP, Comp) Immediate L 36002 Australia 1976. IML 1010 Small Faces Magic Moments (LP, Comp) Immediate IML 1010 South Africa 1976. australia 1976released by festival l 36002same covergreat album, faces at their best.

The Small Faces were breaking away from their R&B roots, dabbling with LSD and psychedelia, and tightening up their songwriting, emphasizing pop melodies in a way they never did on their debut. Sonically, The Small Faces doesn't get as far out as the abandoned Decca cuts that surfaced on From the Beginning - there may be some harpsichords but no outright psychedelia - but it is bright, colorful, and concentrated, its very brevity playing like snappy pop art.

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