Specials - Specials album flac

The Specials is the debut album by British ska revival band The Specials. Released on 19 October 1979 on Jerry Dammers' 2 Tone label, the album is seen by some as the defining moment in the UK ska scene. Produced by Elvis Costello, the album captures the disaffection and anger felt by the youth of the UK's "concrete jungle"-a phrase borrowed from Bob Marley's 1972 album Catch a Fire but equally apposite used here to describe the grim, violent inner cities of 1970s Britain.

50+ видео Воспроизвести все. Воспроизвести. Микс – The Specials FULL ALBUMYouTube. Cranberries, Red Hot Chili Peppers, .

Формируйте собственную коллекцию записей Specials. Specials ‎(LP, Album, M/Print). Two-Tone Records, Two-Tone Records. CDL TT 5001, CDL TT5001. 202 685, 202 685-320. Specials ‎(LP, Album, RE).

Thank you for making this a very Specials album.

Brilliant new album out!! such good music and good vibes. They got ever better over time Specials !!! Enjoy yourself! IT's later than you think!!!

2009 Re-Recorded, Remastered Versions. John Peel Session (23 May 1979). The Best Of The Specials. Relaxing & Romantic Pop Songs - Best Love Album. Hit Novelty Songs You Remember. Smokin' Reggae Music.

When the Specials’ Jerry Dammers’ launched the 2 Tone label in Britain in 1979, his group was more than just a ska revival band with good taste in covers - they were a multi-racial spearhead of a post-punk movement combatting skinhead racism (fueled by far-right groups like the National Front) and the craven business-first classism of the Thatcher government. Now, with racist nationalism on the rise amidst the Brexit debacle, the Special’s third album - 38 years since the last one, More Specials - is well timed. As frontman Terry Hall puts it, the band remain horribly relevant.

A version of the Valentines’ 1967 single Blam Blam Fever – already covered by the ersatz Specials on the largely forgotten 2000 album Skinhead Girl – is the kind of dive into the ska archives that formed the basis of the band’s early repertoire. You can understand the logic behind adding The Lunatics Have Taken Over the Asylum (the debut single by Hall and Golding’s post-Specials band the Fun Boy Three) to their repertoire, but it feels strangely restrained and polite recast as a kind of dub tango.