Gounod - Romeo And Juliet (Highlights) album flac

Roméo et Juliette (Romeo and Juliet) is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique (Théâtre-Lyrique Impérial du Châtelet), Paris on 27 April 1867. This opera is notable for the series of four duets for the main characters and the waltz song "Je veux vivre" for the soprano.

Romeo Et Juliette Highlights ‎(LP). Romeo And Juliet (Highlights) ‎(LP). Angel Records, Angel Records. Roméo Et Juliette, Pages Choisies De L'Opéra De Gounod ‎(LP, Album).

Gounod: Roméo Et Juliette (Highlights). Released by Sony Music Dec 2013 20 Tracks. Gounod: Roméo Et Juliette (Highlights) is a French album released on Dec 2013. Gounod: Roméo Et Juliette (Highlights) Album has 20 songs sung by Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Kenneth Schon. Listen to all songs in high quality & download Gounod: Roméo Et Juliette (Highlights) songs on Gaana.

Romeo and Juliet, O. 4: Montagues and Capulets. Berlin Philharmonic & Claudio Abbado. 2. Romeo & Juliet, Suite N., O. 01: 15. Romeo at the Fountain. Romeo and Juliet, Ballet Suite, O. 4a, N. : 2. Juliet - The Little Girl. 10. Romeo and Juliet, O. 4: 24. Dance of the Five Couples.

Romeo and Juliet - Synopsis (Original French title: Roméo et Juliette) An Opera by Charles Gounod. Opera in five acts, by Gounod; words by Barbier and Carré, after the tragedy by Shakespeare. Produced Paris, Théâtre Lyrique, April 27, 1867; January, 1873, taken over the Opéra Comique; Grand Opéra, November 28, 1888. London, Covent Garden, in Italian, July 11, 1867. New York, Academy of Music, November 15, 1867, with Minnie Hauck as Juliet; Metropolitan Opera House, December 14, 1891, with Eames (Juliet), Jean de Reszke (Romeo), Edouard de Reszke (Friar Lawrence)

This score consists of extracted highlights from my opera Romeo and Juliet, written in early music style. I think it is very suitable for an amateur production and for untrained voices, requiring just 13 voices and a chamber orchestra. I have used only Shakespeare’s text (50% reduced), so there is no messing around with the story. The total length of the piece is about 2 hours 10 min, including spoken sections of text. My musical style originates from singing plainchant in school years, sweetened by renaissance and baroque choral music more recently.