Weber / Claire Watson, Rudolf Schock, Gottlob Frick, Fritz Ollendorff, Lotte Schädle, The Orchestra Of The Berlin Opera Company, The Chorus Of The Berlin Opera Company, Lovro von Matacic - Highlights From Der Freischütz album flac

Complete your Weber, Claire Watson, Rudolf Schock, Gottlob Frick, Fritz Ollendorff, Lotte Schädle, The Orchestra Of The Berlin Opera Company, The Chorus Of The Berlin Opera Company, Lovro von Matacic collection. Der Freischütz (Highlights). Was Gleicht Wohl Auf Erden (Huntsmen's Chorus). Grillen Sind Mir Boese Gaeste (Duet).

Performers: Claire Watson (Soprano) Gottlob Frick (Bass) Claudio Nicolai (Baritone) Kurt Böhme (Bass) Fritz Ollendorf (Bass) Kurt Meisel (Spoken Vocals) Klaus Lang (Baritone) Lotte Schädle (Soprano) Rudolf Schock (Tenor). Chor und Orchester der Deutschen Oper Berlin Lovro von Matačić, conductor. If you like a performance which holds together extremely well, with a steady pulse even through varied scenes that otherwise would have no discernable structure, then this will be the preferred performance. The soloists are also consistently excellent, as is the orchestra. I cannot imagine a better or more authentic performance of this work. This recording is one of the best that Matacic, a very great conductor, left us.

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Claire Watson, Lotte Schädle, Rudolf Schock, Gottlob Frick. Lovro von Matačić, Chor & Orchester der Deutschen Oper, Berlin. CD: Eurodisc Cat: 7791-2-RG. Boyden, p. 339: "The German Romantic opera really began with Der Freischütz of Carl Maria von Weber (1786–1826). 339: "This work. marked the emancipation of the German opera from Italian and French models.

Von Weber: Der Freischutz (complete opera). w/ Orchestra & Chorus of the German Opera, Berlin; Gottlob Frick; Claire Watson; Rudolf Schock; and Fritz Ollendorf

Claire Watson, Lotte Schädle, Rudolf Schock, Gottlob Frick. Lovro von Matačić, Chor & Orchester der Deutsche Oper, Berlin.

The reception of Der Freischütz surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year followed by Leipzig, Karlsruhe, Prague, other German centres, and Copenhagen 1824 saw productions in four London theatres in four different adaptations, as well as the French premiere at the Théâtre de l'Odéon as Robin des Bois On . Onstage: 1 clarinet, 2 horns, 1 trumpet, violins, celli. Claire Watson, Lotte Schädle, Rudolf Schock, Gottlob Frick.