Tom Rogerson With Brian Eno - Finding Shore album flac

After the album was recorded, group member Tom Rogerson (an improvisational pianist and composer in his own right) began working with Eno, who provided several more ideas, including pulling chord sequences out of a hat and juxtaposing MIDI and physical sounds. Like Ryuichi Sakamoto's async, Finding Shore seems to find magic in everyday objects and scenes.

Finding Shore, the result of that collaboration, is a record that beautifully smears together modern classical, ambient, and jazz. On some tracks, the producer doesn’t do much at all. The opulent On-ness is given only a light dusting of reverb, so as not to distract from the song’s Satie-like delicacy and emotion. Putting his music in Eno’s hands and ears proves to be a wise decision by Rogerson-just as his own playing turns out to be the ideal raw material for Eno to sculpt with. Between their respective spotlight turns, both musicians are on equal footing, challenging and surprising one another, and their listeners, with music that feels alive and wondrous.

st Japanese pressing includes a download code for two exclusive tracks, 'Drift 1' and 'Roedeliain'.

Brian Eno & Karl Hyde. 20. Brian Eno. The Ship. 6, 14. Brian Eno & Karl Hyde. 3, 6. Reflection. Месяц релиза - любой - January February March April May June July August September October November December.

Like Eno, Rogerson hails from Woodbridge in Suffolk. He studied under Harrison Birtwistle and plays keys in strident, anthemic, electronic post-rockers Three Trapped Tigers. Here he explores Eno’s ability to blur the lines between organic and treated sound. For the sparse percussive lines of Eastern Stack, plucked piano strings are used with harps and distant voices, while Marsh.

Album: Finding Shore. Artist: Tom Rogerson and Brian Eno. Label: Dead Oceans. Finding Shore could soundtrack an android love story. For casual Eno fans, there’s nothing here like his art pop or glam rock numbers that pepper 1970s-themed playlists. But Finding Shore does carry more form than the ethereal, dreamlike Reflection, his most recent solo outing that featured just one atmospheric 65-minute track. A master at wringing out the best in other artists, Eno lasered in on moments in Rogerson’s classically flavoured improvisational play worth mining before hammering them into song-length, easy-to-absorb sketches.

Like Ryuichi Sakamoto's async, Finding Shore seems to find magic in everyday objects and scenes.

Tom Rogerson's life as an improviser began when, as a toddler, he would clamber up onto his family piano stool and try to emulate his sister's playing. Tom Rogerson's life as an improviser began when, as a toddler, he would clamber up onto his family piano stool and try to emulate his sister's playing. Now releasing his second solo album, a collaboration with Brian Eno, he feels that his musical life has come full circle: "I remember smashing out C Major chords again and again and really loving it. It's the same as what I do now, funnily enough, I've come back to it".