Amanda Shires - To The Sunset album flac

To the Sunset by Amanda Shires, released 03 August 2018 1. Parking Lot Pirouette 2. Swimmer 3. Leave It Alone 4. Charms 5. Eve's Daughter 6. Break out the Champagne 7. Take on the Dark 8. White Feather 9. Mirror, Mirror 10. Wasn't I Paying Attention. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card.

The rising Americana singer-songwriter flips the script on her ambitious seventh LP, with help from husband Jason Isbell. The album ends with a gut-punch. Wasn’t I Paying Attention is punctured by a searing, Neil Young-conjuring Isbell solo, and chronicles a brutal suicide in a town called Nome.

Amanda Shires’ latest solo record, To the Sunset, is rife with charmingly detailed and surprising turns of phrase, but ultimately falls short of its potential effectiveness. The ten tracks comprising this latest album sprint past you rather quickly, which unfortunately doesn’t give you much of a chance to let any lyric or musical turn stick to you. The ultimate rushed feeling of the record ends up overshadowing any of the intriguing ideas and stories introduced within the songs. The album starts strong with Parking Lot Pirouette, a song which, in the best tradition of country-infused songs,.

Album · 2018 · 10 Songs. Nashville-based singer-songwriter and violinist Amanda Shires’ take on Americana is heavy on poetry and introspection. With a breathy, earnest yowl that recalls a young Dolly Parton, Shires sounds commanding on the hurts-to-love-you opener Parking Lot Pirouette and the playful Southern rocker Break Out the Champagne, while producer David Cobb (Sturgill Simpson, Chris Stapleton) shines up her more vulnerable side on Mirror Mirror

3), Amanda Shires quite literally immersed herself in the process. Among clothes, shoes and scraps of paper, Shires holed up and wrote some of the boldest and most adventurous material of her career. Honestly, I think it was just isolation. Just being in a small space - a super small space," Shires tells Wide Open Country. To the Sunset, produced by Dave Cobb, is the follow-up to 2016's My Piece of Land and the fifth studio album from the multi-talented fiddle player who spent her teen years as a member of the Texas Playboys and her early 20s touring the Texas circuit with country legend Billy Joe Shaver.

You may be familiar with Amanda Shires from her previous records, or from her collaborations with Jason Isbell (She plays fiddle in Isbell's band The 400 Unit, and has been married to him since 2013. But her new solo album, 'To the Sunset', will thoroughly shake up whatever notions you think you might have about Shires' music. It's a record that casts her as a truly vibrant artist, in ways that transcend the trappings of what might constitute 'Americana' music.

To the Sunset isn't splashy: it's handsome and layered, alluring upon the first impression but revelatory upon revisits. Shires’ fifth album, is in some ways an attempt to bust down some of the cliches that inevitably attach themselves to an artist stereotyped in that way (acoustic, folk, introspective, sad). And it does the job well. Shires’ way with words is still very much intact.

Working with Dave Cobb, Shires expands the parameters of her music so they no longer strictly adhere to the definition of Americana. Make no mistake, her folk and country roots are evident on To the Sunset, not hidden. They can be heard on instrumental accents and, especially, Shires' song construction, which is so expert that the seams don't show. Upon this sturdy foundation, Shires gives her songs arrangements that defy simple genre classification.

Along with nine new songs on Amanda Shires’ latest album lurks an older gem. Swimmer is a reworked version of a tune she first recorded on her 2010 album Carrying Lightning. It’s also the throughline that belies all the buzz about how To the Sunset represents a radical departure for Shires. Really, her new album is the expansive next step she’s been working toward all along. It is true that Shires has broadened her sonic palette here. There’s much more electric guitar, courtesy of husband Jason Isbell, along with a greater emphasis on organ and keyboards throughout.